I
couldn’t stop the “Oh, whoa!” from exiting my lips when I visited my friend’s
apartment last week. My dear, Gaga-lovin’, chai-tee sippin’,
too-white-for-direct-sunlight friend had ordered a copy of Christian Lander’s
book, Whiter Shades of Pale. Without delving into much detail, she
explained that the book was “accidentally” purchased. Between you and me, I’m
pretty sure she meant to order 50 Shades of Grey. In any case, I was
thrilled to have the chance to thumb through the deeply entertaining
novel…since the book obviously isn’t getting any action at home.
As
readers of Landler’s popular blog, you’d accurately guess that the author
humorously and cleverly applies this concept of an invisible knapsack to core
components of popular culture, which, to the standard white Nebraskan, is both
entertaining and intriguing. The first chapter, for instance, toys with notion
of the Ivy League education, and what it means to white people. Through a rough
set of conversation tips, Landler is essentially providing readers with a wickedly
funny guide to white culture. Humor aside, however, Landler’s criticism touches
on crucial themes in self-identification; among them: the white person’s need
for “constant reassurance […] that they made the right choice with their life” (5-6) be that academically, professionally or socially.
And
that leads me to today’s definitions: whiteness, identity and this knapsack.
Martin and Nakayama are correct in arguing that it’s difficult as white people
to identify cultural aspects that are uniquely white (194). Though, to be fair,
it’s tough for anyone to critically examine his or her own culture while
immersed in said culture. But whiteness, as the authors argue, comes with
unspoken privileges, perceptions, and cultural practices (195-196). Likewise,
Peggy McIntosh further pinpoints privileges pertaining to behavior and attire
(195). In a state like Nebraska, where demographics aren’t exceptionally
diverse, it’s difficult for me, as a white student, to see where the differences
lie. It wasn’t until I ventured abroad to countries in Africa and Europe that I
got a real sense of how people perceive others based on physical and racial
cues. My experiences were not negative, but it definitely helped me understand
how nonverbal cues can aid or hinder communication.
Landler’s
book and blog mock the privileges of the knapsack as well as the issue of
self-identification. That is, we as white people like difference to an extent,
and like others, we struggle to pinpoint our own characteristics and shape our
own identities. As requested I chose some blog posts that intrigued me, more specifically,
things I as a white person also like. Though the prompt asked students to
relate one post on “racism, stereotyping, and identity as a societal phenomenon”,
I argue that the three I’ve chosen collectively contribute to this notion of an
unidentified identity.
“As
2007′s Indie hit, it is alternative mainstream and white people love it when
low budget movies do well.” The term “popular indie movie” is oxymoronic, but
it plays to the idea that white people enjoy the seemingly underappreciated
arts.
2. Modern
Furniture: http://stuffwhitepeoplelike.com/2008/03/02/79-modern-furniture/
“But
as with all things, white people will do whatever it takes to secure
authenticity including paying thousands of dollars for a small piece of
furniture.” Modern furniture is nothing I’d find myself deeply pondering, but
Landler has a point. We shell out big bucks just to obtain something rare that
ideally helps make us unique—a sad, but socially true occurrence.
Landler
points out that the satirical newspaper has grafted itself onto popular
culture, prompting readers to believe that they, too, should be part of the
publication, despite a lack of creative talent. I, however, might be the
exception.
Like
it or not, concepts of whiteness, the idea that physical cues can serve as
information shortcuts to my personal identity, are present. As Martin and
Nakayama state, identity is as much about who I think I am as who others think
I am (170). While in Cotonou this summer, I had an interesting encounter with
whiteness. My team visited Obama Beach, an attraction dedicated to our current
president. Upon hearing me speak to my friends, several little kids ran up to
us and asked if we were Americans. They immediately began running their hands
over ours, laughing as some of the Nebraska girls pulled away. Then a young mother
asked me to take this photo with her daughter:
My French is
pretty limited, but from what my translator friend told me, she wanted her
daughter to express friendship toward a country that has done much in the way
of financial aid for her country. I politely tried to explain that I personally
hadn’t done anything, but she was insistent. The day only got stranger when we
finally got to the sand and were bombarded by little kids asking us to sing!
Here’s an amazing video of the girls and I sitting on the beach, obliging the
adorable little ones with an American song. Unfortunately, the only one we
could think of on the spot was Carly Rae Jepson’s “Call Me Maybe.” Sorry we’re
not sorry.
Identities cues,
be they racial, gender-related or nationalistic, are powerful means of
communication. The cues are as useful as we allow them to be, which is tricky,
because they aren’t based on any factual evidence. The best we can do as
intercultural communicators is master impression management, or the way we
attempt to control others perceptions of ourselves, and hope for the best.
Sources:
Clander. (2008, February
6). #57 Juno. Retrieved from: Stuff White People Like:
http://stuffwhitepeoplelike.com/2008/02/06/57-juno/
Clander. (2008,
March 2). #79 Modern Furniture. Retrieved from: Stuff White People Like:
http://stuffwhitepeoplelike.com/2008/03/02/79-modern-furniture/
Clander. (2008, September
15). #109 The Onion. Retrieved from: http://stuffwhitepeoplelike.com/2008/09/15/109-the-onion/
Lander,
Christian. Whiter Shades of Pale. 2010. Random House. New York.
Martin, J.N,
& Nakayama, T.K. (2009). Intercultural Communication in Contexts, (5th
edition).
This is so cute. I love how you chose, "Call Me Maybe". I think that was a good depiction of America and our current society/culture. This post was very insightful and informative. I gained a lot from reading it and watching the video. How cute. The little kids who ran their hands over yours after asking if you were American, I can only see as a compliment. Also, I completely agree with the bit about American's handing over thousands of dollars to be original or own something rare or not often imitated or well-known. This is actually a nice jump off point and could develop into an entire paper or discussion :)
ReplyDeleteExcellent blog! Very creativity, engaging, and I love the tongue in cheek use of humor. Love that you mentioned The Onion. I have a few friends who post Onion articles on the daily to Facebook. "Enough already!" I want to scream. Anywho excellent blog and keep up the good work. oh and your commenting is totally on point. Thanks!
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